It was one of the jewels in the crown of Georgian London: a building so unusual that a suspicious public were unconvinced it would remain standing when it was built in 1762.  Designed at the height of the 18th century craze for Chinoiserie, The Great Pagoda at Kew was famously adorned with 80 brightly coloured wooden dragons. The eye-catching dragons were the talk of the town for 20 years, before disappearing in the 1780s, rumoured to be payment for the Prince Regent’s gambling debts.

Of all the European capitals, London is arguably the one with the greatest architectural variety, be it residential, commercial or public buildings. What adds to the impression of an incessantly ‘creative kaleidoscope’ is the juxtaposition of old and new, of a mediaeval church next to a 21st century glass building or a Roman ruin in the middle of a 1970s Brutalist development.